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Hard-Boiled Wonderland and the End of the World

Haruki Murakami

Paperback | Pages: 400 pages

Rating: 4.15 | 99619 Users | 5752 Reviews

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Original Title:	世界の終りとハードボイルド・ワンダーランド [Sekai no owari to hādoboirudo wandārando]
Edition Language:	English
Setting:	Japan
Literary Awards:	Tanizaki Prize 谷崎潤一郎賞 (1985), Tähtifantasia Award Nominee (2016), Seiun Award 星雲賞 Nominee for Best Japanese Novel (1986)

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'A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-Boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.'

Mention Regarding Books Hard-Boiled Wonderland and the End of the World

Title	:	Hard-Boiled Wonderland and the End of the World
Author	:	Haruki Murakami
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 400 pages
Published	:	2003 by Vintage (first published June 15th 1985)
Categories	:	Fiction. Fantasy. Cultural. Japan. Magical Realism. Asian Literature. Japanese Literature. Science Fiction. Contemporary

Rating Regarding Books Hard-Boiled Wonderland and the End of the World

Ratings: 4.15 From 99619 Users | 5752 Reviews

Article Regarding Books Hard-Boiled Wonderland and the End of the World

Glass-eyed, marbled prison stare,Functionless form that with willWould coldly rend limb from limb.Toothy gates, e'er sealed againstWhat would gnash and tear, stronglyAflow with the crimson bloodOf a savaged savage god.Dooby, dooby, do.No exit, the maze.The jazz, it plays.Dress yes, no stays.Eat meat, greens graze.Tunnel-tied dust interludes abound.Fat girl wrangled.Grandpa mangled.Outside dangled.Inside strangled.Such are the days when the spring winds down.

Whew, blew me away. The influences from Orwell and Kafka are clearly here. Existential meditations, amazingly imaginative, the multitude of interesting and important thoughts that can sprout from the reader's mind. The whole thing is pure genius."That's the way it is with the mind. Nothing is ever equal. Like a river, as it flows, the course changes with the terrain."Typically, Murakami works his way through your subconscious, toying with recognitions of the past and future, in that magical

Eh? What the hell was that?My first thought upon finishing this, my first Murakami book. A few hours later it hit me like a delayed reaction that I just read something very cool. In retrospect Hard-Boiled Wonderland and the End of the World is no weirder than something like PKDs Ubik or China Miéville's The City and the City but it does have its own brand of weirdness and whimsy. The plot and narrative style of this book is like a combination of PKDs reality bending shenanigan, Neil Gaimans

Youre taking a shower. Two streams fall onto you at the same time. One stream is cold and revitalizing while the other is hot and soothing. Ones heat fills the room with a foggy mist while the other clears your head driving it awake with its coldness. Each one supplements the other and the effect creates an experience more complete than had the two not been together. An icy torrent showing how crystal clear things are, and a scorching torrent enveloping things with a blanket of moisture, both

Reading one Ryu and one Haruki - I need to maintain my Murakami balance! :-)

This is your brain (an egg). This is your brain on Murakami (an egg sprouting arms and legs and attempting to hump other eggs while doing the Electric Slide and attempting to save the world to a killer soundtrack). If you like Murakami, you'll like it, although it doesn't blend the two twisted sides of Murakami's writing as well as a book like "Norwegian Wood" or "Kafka on the Shore." In each of those novels, the reader gets transitions within chapters, and his talents for myth-telling in both

Y'know when you're watching a film and there's a shot or even a sequence that's just really cleverly done? Like all the long shots in Roma or the locust swarms in Days of Heaven or essentially all of Fitzcarraldo ? These scenes rip you from the suspended disbelief of narrative and force you to witness the film as a technical product. You think, ah! that was very clever, kudos to the person who did that. That brief moment when you couldn't care less about what is actually happening in the world